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Tolkien's Modern Middle Ages (The New Middle Ages)

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Review

"The reconsideration and further development of commentary on the disparate sources of, influences on, and analogues to LotR that I have summarized here make Tolkien's Modern Middle Ages a worthy addition to the canon of Tolkien scholarship." - W.A. Senior, Journal of the Fantastic in the Arts "The outward appearance of this nicely designed volume spells 'quality' - and indeed, fair is not foul (though, as we all know, not all that is gold glitters . . .). The overall quality of the essays assembled in this collection is quite high and the two editors did a good job in dividing the fourteen papers into four parts - the medieval in postmodern Middle-earth, Middle-earth and Victorian medivalism, modern ideologies in Middle-earth, and visualizing medievalism in Middle-earth . . . To sum up: the collection is an interesting example of what happens when medievalists (most of them anyway) read modern theories and apply them to Tolkien's work." - Hither Shore

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About the Author

Jane Chance is Andrew W. Mellon Distinguished Professor Emerita of English at Rice University, USA.

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Product details

Series: The New Middle Ages

Hardcover: 250 pages

Publisher: Palgrave Macmillan; 2008 edition (March 26, 2008)

Language: English

ISBN-10: 1403969736

ISBN-13: 978-1403969736

Product Dimensions:

5.5 x 0.8 x 8.5 inches

Shipping Weight: 15.2 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#1,761,536 in Books (See Top 100 in Books)

One of the more difficult compilations on Tolkien's work: the range of topics here goes from reaching perhaps too far to finally facing up to some of the flaws that make Jackson's movies shift Tolkien's meticulous balance between entertainment and art.The stretch too far may be Verlyn Flieger's short essay (or just an amusing thought-experiment) entitled "A Postmodern Medievalist?" Short answer is probably not. She points to the instance of Samwise waxing about perhaps someday having the Fellowship's quest become a story -- referring to a story within the story of the Red Book of Westmarch, in the broader story we are reading. But to even qualify as postmodern more than a single gesture acknowledging the medium seems called for -- Samwise is some many miles distant from -- a single example here -- the character John Self dealing with the character Martin Amis and the character Martina in "Money -- A Suicide Note" by Martin Amis. Tolkien's work can prove to be many things for many people, from the exacting depth of his use of language and naming, to his exacting depth of historical illusion, to his exacting depth of linking the human condition to the culmination of common threads of mythological types that seem to transcend so many cultures and times by touching upon the still profoundly alluring connections between objective experience and the spoken and written word. By extension, his work doesn't also have to be postmodern. To me, Sam's wish is a simple acknowledgment of the power of story, it need not further relate to other, barely orbital affectations and forms of 20th century literature.The other extreme is occupied by Michael Stanton's essay "Tolkien in New Zealand: Man, Myth, and Movie". As much as I have enjoyed Jackson's film adaption of the work it was rewarding to finally read an intelligent piece on just one of the fatal flaws of the film(s). My personal objection centers on the way Jackson contorts the meaning of "The Two Towers" by claiming that Tolkien never made clear which towers he was writing about. Really? Tolkien's own cover art for "The Two Towers" -- like the narrative itself -- features Orthanc and Minas Morgul. And this is vague how exactly? Though some have made an interesting case for the two towers of the title being Orthanc and Cirith Ungol, none I know have combined Orthanc with Barad-Dur as does Jackson. In fact, Jackson and his writers float this misstatement to better justify moving the events concerning Minas Morgul, Cirith Ungol and Shelob to "The Return of the King". His claim that this is done for "dramatic purposes" is also false -- better to own up and tell it like it is. It's done for commercial expediency and "entertainment value", pure and simple. But back to the matter at hand: Stanton's point is even more compelling than my nit picking, and is focused on the elimination of "The Scouring of the Shire", a chapter essential to the overall theme of the work wrongly set aside by Jackson for reasons you should read about. Talk about tinkering with forms, postmodern or not -- "The Scouring of the Shire" in particular chucks the usual reassuring denouement employed by average and above average writers everywhere in favor of addressing the need to elucidate yet another valid and frankly life-like component to Tolkien's tightly woven world-view.The "Modern Middle Ages" serves the reader much as the "Tolkien Studies" series does. If you buy this, take advantage of the toofa and read Marjorie Burns' excellent book alongside this important work.

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Tolkien's Modern Middle Ages (The New Middle Ages) PDF

Tolkien's Modern Middle Ages (The New Middle Ages) PDF